Hi very good at all and welcome to this new videoIn this series of tutorialsI'll teach you to create designs with minimalist techniqueAnd we will use the tool photoshopI recommend: get the latest version of Photoshop (CC)and.....I'll explain what is minimalismehh..what to dowhat not to wearWhat not to dorules
Hi. This is Marty from Blue Lightning TV. I'm going to show you how to create this cinematic,deep space, stargate from scratch.Create a new document by going to File and New. Make the Width: 1550 pixels, the Height: 870 pixels and the Resolution: 150 pixels per inch. TheMode is RGB and 8 bits per channel. Then, click OK or press Enter or Return. If your foreground and background colors aren't black and white respectively, press "D" on your keyboard.We'll fill the canvas with black by pressing Alt + Delete on Windows or Option + Delete on a Mac. Make a copy of your Background by pressing Ctrl or Cmd + J. We'll place thecopy into a folder by pressing Ctrl or Cmd + G. Click the thumbnail of "Layer 1" to makeit active. Click the foreground color, which opens the Color Picker. In the Brightnessfield, type in 15. This will make the foreground color a very dark, grey. Then, click OK. Go to Filter, Render and Clouds. We're going to stretch the clouds horizontally. To dothis, open your Transform Tool by pressing Ctrl or Cmd + T. At the top, you'll see the percentages of the Transform's Width and Height.Go to the Width and type in 300. Then, press Enter or Return. Since the clouds have a Width of 300%, they're extending beyond both sidesof your document. To crop them off, press Ctrl or Cmd + A to select the width and heightof your document and go to Image and Crop. To deselect it, press Ctrl or Cmd + D. Go to Filter, Pixelate and Mezzotint. Choose "Medium Strokes" and click OK. Go back to Filter, Blur and Radial Blur. Slide the Amount all the way to the right. Make the Blur Method:Zoom and the Quality: Best. Then, click OK.Repeat the Filter by pressing Ctrl or Cmd + F and then, repeat it one more time. Next, we'll frame it to the same aspect ratio ofa wide-screen, movie. Go to View and make sure Rulers and Snap are checked. If theyaren't just click on them. Open your Crop Tool and for the Width, type in 2.66 and the Height: 1. This is the aspect ratio of the original, Cinemascope movies. Go to the ruler at the top and drag down a guide line to the top of the cropped area. It'll snap to itbecause we have "Snap" checked. If you don't see the guide line, press Ctrl or Cmd + H.Drag another guide line to the bottom of the cropped area. Zoom out of your document bypressing Ctrl or Cmd and the minus key on your keyboard. Open your Rectangular Marquee Tool and drag a selection from the top, left corner to the lower, right corner of the document's guide lines. Make the folder active and click the Layer mask icon to make a layer mask ofthe selection next to the folder. The white area of the layer mask will reveal the insideof each layer within the folder. To see your document at 100%, press Ctrl or Cmd + 1. To hide the guide lines, press Ctrl or Cmd + H. Make the clouds layer active. We'll invert it by pressing Ctrl or Cmd + I. Click the New Layer icon to make a new layer. Open your Elliptical Marquee Tool, and go to the center of your image. Press and hold Alt or Optionas you drag out an ellipse approximately this size and shape. Go to Select, Modify and Feather.Feather it 100 pixels and clock OK. Invert the selection by pressing Ctrl or Cmd + Shift + I. We'll make the foreground color completely black by pressing "D" on your keyboard torevert it to its default color. Fill the selection with black by pressing Alt or Option + Delete.Then, deselect it. Reduce its opacity to 80%.Click the New Layer icon to make a new layer.Invert your foreground and background colors by pressing "x" on your keyboard or by clicking this icon. Open your Brush Tool and open your Brush Picker. Make your brush size: 600 pixelsand the Hardness: 0%. Its Opacity and Flow are both 100%. Hover your cursor over the center and left-click once. Click the Adjustment Layer icon and click "Gradient". Open the Gradient Picker and open your list of gradient presets.I'll choose "Color Harmonies 2", however,feel free to experiment with other presets.When you see this window, click OK to replace the current gradients with the gradients from the preset you just chose. I'll click this one. Make the Style: Radial and I'll drag the Scale all the way to the right. This zooms into the center of the gradient. The higher the Scale amount, the more it zooms in. Play with this amount to get the colors you want. You can always change it later. Change its Blend Mode to "Color". Next, we'll add stars. Make the center, white glow activeand click the New Layer icon to make a new layer above it. We'll fill the empty layerwith black and since black is the background color, press Ctrl or Cmd + Delete. Change the Blend Mode to "Screen" and go to Filter, Noise and Add Noise. Make the Amount: 30%,Gaussian and Monochromatic. Go back to Filter, Blur and Gaussian Blur. Make the Radius: point 5 pixels and click OK. Open Levels by pressing Ctrl or Cmd + L. For Input Shadows, type in 75 and for Input Highlights, type in 160.Then, click OK. Next, we'll add subtle, motion trails to the stars to make them appear to be enveloped by the star gate. Let's renamethe star layer, "Stars" and reduce its opacity to 70%. Press Enter or Return and make a copyof the stars. Make its opacity: 100%. Go to Filter, Blur and Radial Blur. Make the Amount: 5,Zoom and Best. Then, click OK. This is Marty from Blue Lightning TV. Thanks for watching!
Hi. This is Marty from Blue Lightning TV.I'm going to show you how to transform the material of a statue or other object. This effect works best on objects that are made from one material.Open a photo you'd like to use. If you'd like to use this image, its link is located in the video's description of project files. The first step is to makea selection around the subject, so we can ultimately cut and copy it to its own layer.There are many ways to make selections and covered them in most of of tutorials. Forthis example, I'll use the Quick Selection Tool. If you're using this tool as well, dragyour cursor over your subject to make a selection around its shape. To remove areas of the selection,press and hold Alt on Windows or Option on a Mac as you drag over those areas. When you're done, press "Q" to make it into a quick mask. If you notice areas that you want tocorrect or finesse, you can use your Pencil Tool. To decrease the size of your pencil,press the left bracket key on your keyboard.Then draw over those areas. When you're done,press "Q" to revert it back into a selection. Press Ctrl or Cmd + J to cut and copy thesubject onto its own layer. Remove all its color by pressing Ctrl or Cmd + Shift + U.Make a copy of the layer and hide it by clicking off the eyeball next to it. Click the thumbnail of the middle layer to make it active. We'll use this layer to create a displacement map,which will warp the new material to conform itself to the contours of your subject. Makea new layer below it by Ctrl-clicking or Cmd-clicking on the New Layer icon. We'll fill it with white. First, check to see if your foreground and background colors are black and white, respectively.If they aren't, press "D" on your keyboard. Since white is your background color,press Ctrl or Cmd + Delete to fill the empty layer with the background color.Make Layer 1 active and go to Filter, Noise and Median. I'll make the Radius: 5 pixels,however, if you're using a different photo, you may want to adjust this amount dependingon your photo's size and resolution. Use an amount that removes the fine details, butretains the sharpness of the subject's general shadows and mid-tones. Since displacementmaps work best when their slightly blurred, go to Filter, Blur and Gaussian Blur. I'll blur it 2 pixels, but again, you may want to adjust this amount. Merge these 2 layers by pressing Ctrl or Cmd + E. Click the icon at the upper, right of the Layers paneland click "Duplicate Layer". Click "New" and type in "Displacement". Then, click OK or press enter or Return. Go to File and "Save As". Save it to your Desktop as a PSD file. Then, click "Save".If you see this window, click OK. Click the tab of your original file to open it. Since we duplicated and saved this layer, we can trash it from the Layers panel.Make the top layer visible and active.Open a texture you'd like to use to wrap around your subject. If you'd like to use the one I'm using, I provided its link, as well. Youcan find many textures at www.cgtextures.com. To get it into your other document, press"v" to open your Move Tool and drag it up onto your subject's tab. Without releasingyour mouse or pen, press and hold Shift as you drag it down onto your image and release.Pressing Shift kept the texture centered over your subject. To resize your texture, openthe Transform Tool by pressing Ctrl or Cmd + T. To see the Transform's entire boundingbox, press Ctrl or Cmd + 0. Go to a corner and when you see a diagonal, double-arrow,press and hold Alt or Option + Shift as you drag it in or out. Then, press Enter or Return.We need to crop the texture in order for it to be sized correctly to the displacementmap. To do this, press Ctrl or Cmd + A to select your document and go to Image and Crop.To deselect it, press Ctrl or Cmd + D. To fit your document back onto your canvas, press Ctrl or Cmd + 0. Go to Filter, Distort and Displace. I'll displace the Horizontal and Vertical Scales: 40 pixels each,"Stretch to Fit" and "Repeat Edge Pixels". Click "Displacement" and click "Open". The texture immediately warped based on the tonal values of the displacement map that you saved earlier. Ctrl-click or Cmd-click on the thumbnail of your subjectto make a selection of its shape. Your texture should still be active. Click the Layer Maskicon to make a layer mask of the selection next to the texture. Click the texture tomake it active again and change its Blend Mode to Overlay. To adjust its brightness and contrast, click the Adjustment Layer icon and click, "Levels". Click the Clipping Mask iconto clip or restrict the adjustment layer to effect just the one layer beneath it inthe layers panel, which in this case, is the wood texture. Slide the input black level to the right, until the darkest areas of your texture look good to you. I like 70 for the amount.Then, slide the Input mid-tones to the right until you're happy with its medium tones.I'll use .60 for the amount. Keep in mind, because each texture has its own characteristics,play with Levels until you're happy with its look. This is Marty from Blue Lightning TV.Thanks for watching!
Hi. This is Marty from Blue Lightning TV. I'm going to show you how to transform a logoor text into gold leaf and stencil it on frosted glass.You can use any image you want for your background, however, if you'd like to use this one, I provided its link in the video's description or project files. The first step is convert your background into a Smart Object,so we can modify it non-destructively with Smart Filters or even replace it with anotherbackground without having to redo any of the filters that we'll be adding to it. To do this,click the icon at the upper, right of the Layers panel and click "Convert to SmartObject". You know a layer is a Smart Object when you see this icon at the lower right,corner of its thumbnail. Go to Filter and Filter Gallery. Open the "Distort" folder,click "Glass" and choose "Frosted". I'll make the Distortion: 3 and the Smoothness: 1, however,if you're using a different image, you may want to adjust these amounts depending onyour image's size and resolution. I'd like to soften it a little, so I'll go to Filter, Blur and Gaussian Blur. Blur it 20 pixels and click OK. At this point, your image will look too soft, so we'll reduce the blur's opacity by double-clicking on the icon next to Gaussian Blur. The Blending Options window will appear. Reduce the blur's opacity to 50% and click OK.Next, we'll create a gold-leaf texture that we'll apply to your logo, symbol or text.Click the New Layer icon to make a new layer. If your foreground and background colors aren't black and white respectively,press "D" on your keyboard. Click the background colorand type in: 8 7 6 8 1 E. Then, click OK.Notice, your background color is the the color you just typed in. Go to Filter, Render and Clouds. Go back to Filter and Filter Gallery.The same glass filter and settings that you used earlier will open. Click OK to applyit to the "Clouds" texture. Let's brighten it a bit. Click the Adjustment layer iconand click Brightness/Contrast. Click the Clipping Mask icon, which makes the Adjustment layerclip or restrict itself to effect just the one layer beneath it in the Layers panel.If we didn't clip it, the Adjustment layer would effect all the layers below it. Increase the Brightness: 40%. Open a black & white graphic you'd like to make into gold-leaf.You can also use text if you like. If you do use text, make its color white. If yourgraphic is black on a white background, we need to invert it. To do this, press Ctrl or Cmd + I. Go to Select and Color Range. Choose "Highlights" and click OK.This makes a selection of its shape.Press Ctrl or Cmd + J to cut and copy the shape onto its own layer. Drag it onto the tab of your document and without releasing your mouseor pen, drag it down onto the image and release. To center it, press Ctrl or Cmd + A to select it alland click the "Align Horizontal Centers" icon and the "Align Vertical Centers" icon.To deselect it, press Ctrl or Cmd + D.To resize it, open your Transform Tool by pressing Ctrl or Cmd + T. Go to a corner and when you see a diagonal, double-arrow, press and holdAlt or Option + Shift as you drag it out or in. If you want to slide it up or down, pressthe Up or Down arrow key on your keyboard.Then, press Enter or Return. Change its Blend Mode to Overlay. Ctrl-click or Cmd-click on the thumbnail of the logo or text to makea selection of its shape. Click the thumbnail of the texture to make it active and clickthe Layer Mask icon to make a layer mask of the selection next to the texture. To bring more attention to your logo or text, we'll add an outer glow to it. Double-click on its thumbnail,which makes the layer active and opens its Layer Style window. Click "Outer Glow". Change its Blend Mode to "Linear Dodge" and its Opacity between 25 to 30%. Make the Noise approximately 35% and the Size: 185 pixels. Then, click OK. I want to lighten the shadow reflections on the gold leaf, but keep the highlights and mid-tones, as is..To do this, first, make a composite snapshot of your image by pressing Ctrl + Shift + Alt+ E on Windows or Cmd + Shift + Option + E on a Mac. Ctrl-click or Cmd-click on the thumbnail of your logo or textto make a selection of its shape. Click the Layer mask icon to makea layer mask of the selection next to the composite snapshot. Make the composite snapshot active and go to Image, Adjustments and Shadows/Highlights.Slide the Shadow Amount to 100% and click OK.Repeat these steps three or four times to increasingly lighten the shadows. This is Marty from Blue Lightning TV. Thanks for watching!
your text has to be in white your text has to be in whiteselect rasterize type, it transformes a text layer into a normal layer select rasterize type, it transformes a text layer into a normal layerctrl + clickctrl + click
Hi. This is Marty from Blue Lightning TV. I'm going to show you how to quickly transformsimple, black and white graphics into techno-inspired, logo-like shapes. I'll also show you how to add color. Open a simple, black and white graphic you'd like to use. Clip art generallyworks well for this purpose. If your foreground and background colors aren't black and whiterespectively, press "D" on your keyboard. Click the New Layer icon to make a new layer.We'll fill it with white and since white is your background color, press Ctrl + Deleteon Windows or Cmd + Delete on a Mac. Make a copy of it by pressing Ctrl or Cmd + J.Click the Adjustment layer icon and click Pattern. Open the pattern thumbnails. If you don't see this one, click the gear icon and click "Reset Patterns". Click OK to resetit with the default patterns. Click this icon, which is called, "Vertical Line 1". For the Scale percentage, type in 750 and click OK.Go to Select and Color Range. Choose Shadows and click OK. Click off the eyeball next to the Pattern to hide it and click the thumbnailof the layer below it to make it active. We'll fill the selection with black and since blackis the foreground color, press Alt or Option + Delete. To deselect it, press Ctrl or Cmd + D.Hide this layer and the layer below it.Go back to Select and Color Range. Click OK.The shape of your graphic is now a selection. Make these 2 layers visible and click the Layer Mask icon to make a layer mask of the selection next to the grid.Next, we'll make a composite snapshot of your image by pressing Ctrl + Shift +Alt + E on Windowsor Cmd +Shift Option + E on a Mac.Go to Filter, Other and Minimum. Make the Radius: 6 pixelsand the Preserve: Roundness. Then, click OK.The general shape looks good, but if you look closely at the grid, the ends on many of them are a bit ragged or asymmetrical. To addressthis, we'll create a custom brush that we'll use to correct it. Press Ctrl or Cmd + Z to undo your last step. Go to File and New. Make the Width and Height 20 pixels each and the Resolution: 72 pixels per inch. Press Alt or Option + Delete to fill it with black.Open your Pencil Tool and go to Edit and "Define Brush Preset". We'll use the default brushname. Open back up your document and open your Brush picker. The last thumbnail in the panel will be the square shape we saved as a brush. Press Enter or Return and press "x"on your keyboard to invert your foreground and background colors. Now, white is the color of your custom brush. Press "z" to open your Zoom Tool and zoom into the grid. Press "B" to open your custom brushand click the ends that look a bit ragged or asymmetrical. To move your image on the canvas, press and hold the Space bar and drag your image. As soonas you release the Space bar, your cursor reverts back to your custom brush. Continueuntil all the ends of the lines are squared off. To fit it back onto your canvas, press Ctrl or Cmd + 0. To repeat the last filter you used, press Ctrl or Cmd + F. All of the lines of your grid should now look symmetrical.If there are any that aren't, undo the filterand use your custom brush to square off any remaining ragged edges that you may have overlooked.Then, repeat the filter. Next, I'll show you how to quickly make your lines in color. Click the Adjustment layer icon and click: "Gradient".Open the Gradient Picker. I'll choose thespectrum gradient, however, you can experiment with any of them. I'll make the Style: "Linear"and the Angle: 0 degrees. For now, I'll leave the Scale at 100%. Change the Blend Mode to Screen. Notice the red colors on the end of the Spectrum aren't visible. This is becausethe gradient goes from one side of your document to the other side. To include the entire spectrumgradient inside your shape, we need to reduce the scale of the gradient. To do this, double-clickon the gradient thumbnail to open the Gradient Fill and highlight the Scale amount. Pressthe Down arrow on your keyboard until all the colors are visible. To see it over a black background, change the Blend Mode to Multiplyand make the layer directly under the gradient, active. Invert it by pressing Ctrl or Cmd + I. This is Marty from Blue Lightning TV.Thanks for watching!
Hi so Check it out! if you need graphic help or want to learn photoshop I'm recommending Photoshop masterclass right nowbecause even big businesses use vistuals to increase conversions. this is a wonderful, wonderful package80% off until January 22nd and you can make almost any website graphic that you need in less than 8 minutesit is two crash courses, 2 toool kit stemplates and 64,000 grafics freewith this course ok just in case you are wondering what I am talking about I love doing graphics but I'm a moron when it comes to using Photo Shopbut I tell you what Iused, bought this program, downloaded it and watched about half of the videos and then decided to try something then boy oh boy, does it work Now I used one of the graphics available in the packageand I took the pictureput my little text on it and then I put a little watermark just for me just in case sombody shares itthen I'll get ugh a little bit of wealth out of it but any way just to let you knowa normal person can use it you don't have to be an expert that is what it teached you an hour no 3 hours time if you watch all the videos provided and you go through everything what i like is that he teaches the common sense theory while doing it and shows you how to build up and do the layers and all that kind of stuff that always got me stuck and I don't know, it is worth it to go take a look at the video on the sales page where he explains what he is going to teach you If you need graphics for your websiteyour blogor for making videos ah ha ok?got it made now just to let you knowhow sneaky I am I put up some ads and loaded photos up to twitter and this is my twitter account and these are some of my tweets and it makes it really simple to make a video oh yeah, something I forgot this guy that teaches the course said about three years ago he was tutored by a Expert in PhotoShopand he said some of the shortcuts and tips that he gave him he gives you when you he teaches you say he makes a little 8 minute video to do one processif there are any short cuts or tips that he uses he tells you what they arewhat I am doingsince I'm old and have poor short term memeory is I just have a little book and I'm writing all my little photoshop shortcuts down in it because I can when I'm working and using it I can look at the card and use it so if saving money on graphics and doing your own because you can get them back so quick probably in less time to make one than it does to write up a spec sheet to order one somewhere anywaya great Sales, ends on the 22nd
Hi. This is Marty from Blue Lightning TV. I'm going to show you how to create this sleek,shiny pill from scratch. This is an update of a tutorial I did on an earlier version of Photoshop. Create a new document by going to File and New. For this example, make itsWidth: 1550 pixels, its Height: 870 pixels and its Resolution 150 pixels per inch. TheColor Mode is RGB at 8 bits per channel. Then, click OK. Go to View and make sure and Snap are checked. If they're aren't, just click on them. Go to the ruler at the topand drag out a guide line to the center of your document. It'll snap in place becausewe have snap checked. If you don't see it, press Ctrl or Cmd + H. Go to the ruler onthe left and drag out another guide line to the center. Click the New Layer icon to make a new layer. In this layer, we'll make the shape of the pill. Open your Rounded Rectangle Tool. If your foreground and background colors aren't black and white respectively, press"D" on your keyboard. Click "Pixels". If your version is CS5 or earlier, the "Pixel" icon is here.For its Radius, type in 200 pixels. Click the gear icon and tick "Unconstrained"and check "From Center". Go to the center of your guide lines and drag out your pill shape. Double-click on an empty area of the pill's layer to open its Layer Style window.Click "Gradient Overlay". The Style is Linear and the Angle is 90 degrees. Click the gradientbar. Click the lower, right "Stop" and the color box. For its Brightness, type in 50%.Then, click OK or press Enter or Return for both windows. Click Stroke and the color box.For the Brightness, type in 50%. Then, close the window.Make the Size: 8 pixels. The Position is Outside and the Blend Mode is Normal.Click Inner Glow. Make the Blend Mode: Normal, theOpacity: 40% and the Size: 35 pixels. Then, click OK. Next, we'll add text onto the pill.Open your Horizontal Type Tool and press "x" on your keyboard to invert your foregroundand background colors. For my font, I'll use Arial Black, however, you can use whateveryou like. I'll make its size: 125 points, Smooth and "Center Text". Click on your documentand type your text. To center it over your pill, click your Move Tool, and press Ctrlor Cmd + A. Click the "Align Horizontal Centers" icon and the "Align Vertical Centers" icon.To deselect it, press Ctrl or Cmd + D. Next, we'll warp the text to simulate it wrappingaround the contour of the pill. To do this, press "T" to open your Type Tool and clickthe "Warp Text" icon. Click "Bulge" and tick "Vertical". Play with the "Bend" percentage until your textis approximating the perspective distortion that it would have. Generally,the longer your text is, the higher the Bend percentage should be. For this example, Ityped in a bend of 20%. Then, click OK. Change its Blend Mode to "Overlay". Click the New Layer icon to make a new layer. In this layer, we'll create the highlight on the pill. Open your "Rounded Rectangle Tool". Click the gear icon and uncheck "From Center". Place your cursor at the top point where your pill is starting to curve around and drag your toolacross approximating this shape. To center it over the top of your pill, press "v" onyour keyboard to open your Move Tool, press Ctrl or Cmd + A and click the "Align Horizontal Centers" icon. Then, deselect it.Let's rename the layer, "Highlight". Double-click on thethumbnail to open its Layer Style window.Check, "Blend Interior Effects as Group".Activating this advanced blending option will give us the effect that we want. Later, I'llshow you what the highlight would look like if we didn't check this option.Click Gradient Overlay and the gradient bar. Click the lower, left Stop and the color box. For Brightness, type in 25%. Then, close all the windows.Change the Blend Mode to Screen and reduce its opacity to 90%. Let's see what the highlight would like if we didn't check the"Blend InteriorEffects as Group" feature. As I toggle back and forth, you can see the difference. Next, we'll split the pill into two halvesand make the right half a bit smaller. Scroll to the bottom of the Layers paneland hide the Background layer. Scroll back up and make a composite snapshot of your pillby pressing Ctrl +Shift + Alt + E on Windows or Cmd + Shift +Option+ E on a Mac.Alt-click or Option-click on the eyeball next to the composite snapshotto hide all the other layers. To save space in the Layers panel, let's group all the sourceelements that comprise your pill into its own folder. To do this, make the highlightlayer active and Shift-click on the black shape of your pill to highlight all the elements.Then, press Ctrl or Cmd + G.Let's name the folder "Elements" and hide it. Make the white background visible.Make the pill layer active and Ctrl-click or Cmd-click on the thumbnailto make a selection of its shape. Open your Rectangular Marquee Tool.Press and hold or Option + Shiftas you drag a selection over the left half of your pill snapping itto the vertical guide line. Now, we have a selection of just the left half of your pill.Press Ctrl or Cmd + J to cut and copy the left half of your pill onto its own layer.Make the full pill active and again, Ctrl-click or Cmd-click on it to make a selection ofits shape. As before, press and hold Alt or Option + Shift as you drag a selection overthe right half of your pill, which makes a selection of just the right half. Press Ctrl or Cmd + J to cut and copy it onto its own layer. Now that we have the two halves ofthe pill, we can trash the composite snapshot.We don't need to see the guide lines anymore,so let's hide them by pressing Ctrl or Cmd + H. We're going to make the right half ofthe pill a bit smaller. To do this, open your Transform Tool by pressing Ctrl or Cmd + T.At the top, you'll see percentages for the Width and Height. If we click on the chainlink, whatever we type in one, will be copied into the other. Go to either the Width orthe Height and type in 99%. Notice, they're both the same because the chain link is active.Press Enter or Return to accept the Transform.To move the right half of the pill to the left half, press "v" to open your Move Tool and press the left arrow on your keyboarduntil the gap disappears. Next, we'll create the shadow. Ctrl-click or Cmd-click on the thumbnail of the right half to make a selection of its shape. Open your Rectangular Marquee Tool,press and hold Alt or Option, as you drag over the right half of your pill justa little to the right of the other selection. Then, release your cursor. You should nowsee just a sliver of the selection. The shadow will be inside this area. Open Levels by pressing Ctrl or Cmd + L.For the Input midtones, type in point 65 and close the window. Then, deselect it.Next, we'll add the reflection. First, let's merge the two halves into one layer.To do this, Shift-click on the top layer to highlight it and press Ctrl or Cmd + E. Makea copy of it and make the lower pill active. Reduce its opacity to 50%. Go to Edit, Transform and "Flip Vertical". Press "v" to open your Move Tool and press and hold "Shift" as youdrag the reflection below the solid pill.We need to close to gap between the shadow and the pill only on the left half. To move the reflection up one pixel at a time, pressthe Up arrow key on your keyboard. There should remain a gap on the right half between thepill and its reflection. Next, we'll make the reflection gradually fade into the background.Click the Layer mask icon to make a layer mask next to the shadow. Open your Gradient Tool. Makesure the Linear Gradient icon is highlighted and the gradient bar is black to white. Placeyour cursor a little below halfway down the shadow and press and hold Shift as you dragup the gradient line to the bottom of the pill. Then, release. Lastly, I'll show youhow to quickly give it color. Make the top layer active and click the Adjustment layericon. Click Hue / Saturation. Check "Colorize" and slide the Saturation a bit to the rightto intensify the color. Then, slide the Hue to a color you like. This is Marty from Blue Lightning TV. Thanks for watching!
I'm a big boy nowThis tattooMade me say "owie" Im not supposed to drinkbut IdoMy pee pee is in thereLast night on Saturday Night Livethey parodied Justin Bieber's Calvin Klein commercial. It was very funny cause he had to stand on astoolto reach the model's height. He wasn't actually doing real push upBut the easy kind and at the end we discover hisunderwear is XXS. And in caseyou didn't know Justin Bieber was the latest victim of a photoshopping scandaljoining the ranks of Beyoncewith the warp tool. Uh, his biceps, andbulge and booty were shopped to look more manly. So what do you think of the Justin BieberCalvin Klein spoof on Saturday Night Livelet me know in the comments below and don't forget to tweet me@jldmorris on Twitter. Thanks for watching, and subscribe!Yo, my pee pee's in there
In this video I will read your mindChoose a card with no mathematical rule and I will guess it!This is an interactive video and You will be the one who will decide which card to chooseI am going to show you six cards and you will choose the one you wantYou do not need to touch your screen/monitor,just choose one cardHave you chosen?So concentrate now on the card you have just chosenI do not know who you are, I have never met you, but I know which card you chose!Look!I have just taken away the card you chose!Surprised? So share this video with your friends!Share on facebook now!Like it and subscribe to my channel!
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Today we're going to be coveringBeyonce Photoshop fails been a whole lot to talk about her starting Photoshopherself trying to look skinny young beautiful Trying to stay beautifulwe will have our own version of beyonce photoshop failsparty flyers LETS GO!ADOBE PHOTOSHOP FLYERS Party Flyer design graphics tutorialalright fam this time to begin the stupiditybefore the stupidity starts needneed to downsize as video about8 minutes me carving out beyonce's butt!I needed noise add ratingwe gonna truncate this down to like thirty-secondsso sitback enjoy watch okay grease hounds up welcome back to the tutorialand we might do some strange real strange things truthfullya you may notice video more super duper fastask for my impatient youtubeclean plans members fromGerman patient man lookyou know the problem is we got a hundred billion trillion videos on YouTubeso you're trying to get the next when they travelkeep mandates training video anywayare trying to explain what's going onup keeper got two 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actually this is the actual picture that she used forhome you know for hervery call call take vacation like to see the BKwhy we bpm polls on lololanywayis on the boat join her life afterInstagram and that's not enough she get to shrink her body partstrick your body parts boom you know keepwill witness you know we likenormal people we like you've got a little crazywhy whole causedhooker K the will want to be crazy roundRalph throw might bework runsarea all 10 okay I'm bout to put a CD backnot gonna watch the whole video don't don't want shortcut Kashmir pay slipinto trying to get to the border shotsdropped working video trying to rush over tofrom world star hip hop do thatokay so I'm sonow I'm worker departs I got a little tipsand things like that one thing I forget to doI'm let you know Africa I for GACto arm put the sparkles and shines inwhat do you call it you know flaresbut players on the video rhythmthe image really what a super duper that combines the middleso is coming along pretty goodno me and I didn't we have bad minutespretty good the idea the entire session in like 20minutes like that but you definitely want to watch the entire sessionfamily for the link behind its I only postthis for you rush me its gotta go to work in China watcherYouTube video before your work you are you looking at it down likeok it is beyond six minutes I'm going to check it out asonly six minutes I know we are doing from his nap talk too muchdo if I do me but nasa down in the Commons mandown haha not get your commenthim meanwas that the soundand don't be callin me datcrazy drunk maybe they'd be meancookin in her greasy pigeon Iarts art art so any all im sorryokay so what I'm doing right here he ismagical up teaching your magic trick great hereto make yancy namejuicy pappy stress Tracy shower nowme shower back during or no unless you watched it you know420 prominent video you gettime come on man are small largeinterested in Photoshop when you had time to watch itsaid somewhereI mean release it now I go somewhereI'm Liam are no sign is on his way back homeramona mmm first lawyou may not know sunny because you may have watch this video becausethe title see Beyonce washoe me Sonnywants to meet Sonny Boy who callyou will be hooked for life baby money is blurry loosepuppet you were ever meet in your lifea really feel like a lotta must be readisn't funny because sonnys be whatthe average person wall saying he speaks to troopshmm okay only get worklindsey is 8 this in San two minutes only gettwo min speak one minute at this point so anywayon let me say this are my last words he isfirst and foremost this is a truncated version if you canignore all of my talk armhopefully you learn from them if you want it tosit back and relax and just listen to me rant own about lifeand about make an arm really goodhigh-quality Photoshop arm Flyersand or DVD now watch 24 versionyes it is 20 work 20 to 25 minutesyes it is a scam long but I want you to keep this in mind and although I knowthat you tooyou know YouTube is a you know is you get a dopamine shopif ya know dopamine a job to look it up because dopamine is the newya gotta know what dopamine is locked in the housemanage wildlife right now because the internet is doing something to ourdopamine levelsokay is doing it you know is just doing it so just do some research on talk toyou about it laterbut anyway this is the end of the session here you see you know the entirethe you know poured out for yancyPhotoshop fails Tuesday July 24 Barbarawhat you need to actually watch tutorial so that you can really learnknow it talked in weeks sad it acts stupid like how we do that's just whatwe dothat's just what we do butarm the primary source of this websiteon a serious note is to try but is to train in acool small sorry I'm aren't and I'm gonna take up too much for your timejust think about fam I must sign out because I just don't want to take a pleatimebut if you really truly truly wanna learn really want to master these crampsthat Ithem home under my beltwith the college for the manTunisian lock Ian and watch the entire videofor now I wanna hold right no longerShauna Grant is our respect to time sourceI'm not gonna take two times what you do with your own timelearns massive on music videoanything like that make sure you subscribe subscribed on Clairmont don'tgo nowhere elseso scrappy first then go over to my homiesgo over to my other three and four got a lot of me as a get shirtchair I Z on my dad big bigI got a lot of people you know reason you know germ doing the musicarmor be connected andshortly brochure shortly surely withmy for sure people but been on like this because I'm notyou know your ima arm I let me thank them in a turmoila talk to a minute a 30 minutes many and armnon-plan compliant supsubscribe to have some fun byinto the next fan bro ham the
Hello and welcome to the final part of this series of recordingsIf you're new, there's a playlist link in the description where you can watch the whole series in order.If you've been following me for a while, thank you for sticking around to watch me flail about in Photoshop xDI gave Koujaku fairly slim fingers hereI kind of like the contrast of delicate-looking hands carrying scars from a violent past, and are still capable of violent action.Mistake here: he shouldn't have a scar on this joint.I removed it after the recording session was over and I did the last-minute checks.Another mistake: his thumb should not be that high up.That moment of realisation...Lasso tool + moving the selection + redrawing fixed that error right quick :DThe advantage of digital medium: able to make such corrections fairly easily.If I had been drawing this with ink on bristol board like I traditionally would have done, I would be CRYING xDA trick with cloth: don't use curving lines ALL the timeWhile that would work very well for delicate, flimsy fabrics, it'll only make most other fabrics look...well, delicate and flimsyNot necessarily a good look for stuff like thick, luxurious bedsheets, or curtains, or even jeansAt this point I decided that Koujaku's hand looked a bit strange, and corrected it.Using Liquify, and a brush at low opacity, I can "push" the lines to a shape that I find more pleasing. Better now :D You can tell that I haven't quite decided how to construct this particular bit of hair xDSometimes, personally, I find it's best to just go "freestyle"Placing lines down without sketches forces me to make a decision about how they would lookIf I had tried sketching this bit out, I would have been just drawing and erasing and drawing and erasing, over and over again.Deleting the sketch layers since they've served their purpose and are no longer neededThis is a stylistic choice, but what I like to do is to thicken the outlines of "major" silhouettes/shapes of a line drawing, like the hair mass and outer body linesThis gives my line drawings a very graphical look, almost like a Mucha's Art Nouveau prints.The thicker borders also nicely separate the elements in my drawings, so when you look at it from a distanceyou can tell which bit is the figure, which bit of the figure is the hair, the clothes...so on and so forth.A useful thing for internet display, since a strong thumbnail will entice views to click for a closer look.At this point I'm just doing minor adjustments to strengthen the impact of certain bits of the image.Zooming out to check everything looks right from afar.And now for the final enhancements...Duplicate the lineart layer.....put a fine Gaussian Blur filter on the duplicate......lower the opacity......done correctly, it mimics ink "bleeding" into the fibres of the canvas.It softens what would have otherwise been the fairly harsh, clean edges of a digital line drawing.I also decided to use a layer mask to blur away the outside edges.The darker lines in the centre draws the eye in, towards where I want your gaze to be focused on.In this case, that would be the peaceful faces of our two lovers.
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Hi. This is Marty from Blue Lightning TV. I'm going to show you a quick and effectivetechnique to write a word or message into fine, pristine, beach sand from scratch. This tutorial is an update to one I did on an earlier version of Photoshop. Create a new document by pressing Ctrl + N on Windows or Cmd + N on a Mac. You can make the Width and Heightany size you want, but to ensure that your result will be the same as in this video,make its resolution: 150 pixels per inch. Also make sure the Color Mode is RGB and 8bits per channel. Then, click OK or press Enter or Return. Click the foreground color and type in F0E2AF. Then, click OK or press Enter or Return. To fill your document with the foreground color, press Alt + Delete on Windows or Option + Delete on a Mac. We'll add a sandy texture to it by going to Filter, Noise and Add Noise. Make the amount 3%, Gaussianand check Monochromatic. Then, click OK or press Enter or Return. Open your Horizontal Type Tool, choose "Smooth and "Center Text". Go to Window and Character. The Characterpanel will open. I'm choosing "MV Boli Regular" , which is a medium to heavy, san-seriffont that looks like it was hand-lettered. If you'd like to use it as well, I providedit link in the video's description or project files. For this example, I'll make its size110 points. For the color, just press "x" on your keyboard to invert the foregroundand background colors. Click on your document and type your text. If you have two or more lines of text and need to separate the lines,double-click on the large "T" to highlightall of your text and go to the "Leading" icon. Drag it to the right to separate the lines.To reposition your block of text, open your Move Tool and move it. We can close the Character panel now. Ctrl-click or Cmd-click on the large "T" to make a selection of your text.Go to Select, Modify and Feather. Feather it 1 pixel and click OK or press Enter or Return.Click the thumbnail of the Background to make it active and press Ctrl or Cmd +J to cut and copy the shape of your text to its own layer. Name it "Outer". This layerwill be the raised, outer part of our sand text. Click off the eyeball next to the original,source text to hide the layer. Click the "fx" icon and click "Bevel Emboss". Make the Blend Mode: "Pillow Emboss", the Technique: Chisel Hard and the Direction: Down. I'll make theSize: 30 pixels, however, depending on the size of your font, you may want to adjustthis amount. Soften it 7 pixels. Change the Highlight mode to Linear Dodge and the Opacityto 12%. Change the Shadow mode to Linear Burn and the Opacity to 40%. Then, click OK. It looks good the way it is, but let's make the inside of the characters more defined. Makea copy of the "Outer" layer by pressing Ctrl or Cmd + J. Let's name it "Inner". Double-clickBevel and Emboss to open it in the Layer Style window. Change the Style to "Inner Bevel",the Technique to "Smooth" and make the Depth: 235%. I'll make the Size: 10 pixels, but again,adjust this amount if your text is larger or smaller. Make the Highlight's opacity:0% and the Shadow's opacity: 30%. Then, click OK. Next, I'll show you how to change its perspective. Make a composite snapshot of your image by pressing Ctrl + Shift +Alt +E on Windows or Cmd + Shift + Option + E on a Mac. Open your Transform Tool by pressing Ctrl or Cmd + T. Go to any corner and when you see a diagonal, double-arrow, press andhold Alt or Option + Shift as you drag it in to make it smaller. To adjust its perspective,go to Edit, Transform and Perspective.Go to a bottom corner and drag it out. If your font is italicized as in this one, it'll look better if we straighten it out. To do this,go to the bottom, middle anchor point and drag it to the rightuntil the characters in the middle are vertical.Then, press Enter or Return. Open your Transform Tool again. To see the Transform'sentire bounding box, press Ctrl or Cmd + 0.Enlarge you image making sure it covers any text under it.Center it and press Enter or Return. Press Ctrl or Cmd + 0 to fit it backon your canvas. This is Marty from Blue Lightning TV. Thanks for watching!
This is the image we will be working onSelect all by using Marquee tool then pressing Ctrl+A keyCreate new file and enter roughly double size and select background: TransparentCopy and paste the image on to this new black imageJust create a backup ( in case you mess up ) by single clicking on layer and pressing Ctrl+J key.Add a new layer at bottom for background colourUsing Marquee tool we now chop off the portions of image we don't needJust select and press delete buttonSelect transform > skew Select the left part using Marquee toolUse Free transform toolKeep Ctrl key pressed while you drag the cornersCheck for proper alignment by zooming in to the cornersDuplicate this image by selecting the layer and pressing Ctrl+J key or by right clicking and selecting Duplicate layer optionFlip this imageWe now make some corrections in shadow using skew and free transform tool.. watch carefully !Fine tune the reflection by zooming in to the corners and using free transform toolAdjust both parts separatelySelect the inverted image layer and press "Add Layer Mask" button while keeping Alt key pressed.Select white and black gradient and swipe couple of times till you get desired results.Final adjustment using Fill and OpacityDone! Tip: You can remove the red colour background layer and save this image as PNG with transparency option checked to use box image on any kind of background.
Hi. This is Marty from Blue Lightning TV. I'm going to show you how to create your ownvintage, Wanted poster from the "wild west". This tutorial is an update to one I did onan earlier version of Photoshop. I provided this template, so you can follow along. Itslink is located in the video description or project files. It includes a weathered, woodplank background...the base for our poster...distressed, paper texture...four, antique nail heads...ornamentalborders and a cartouche. In addition, I provided links to the fonts that I'll be using inthis video. To make the white disappear that surrounds the cartouche, change the BlendMode to Multiply. Reduce its opacity to 80%. Make the "Borders" layer active and reduceits opacity also to 80%. Make the "Nail head" layer active. Click the "fx" icon and click Bevel Emboss. The Style is InnerBevel, the Technique: Smooth and the Depth is 100%. The Direction is Up and the Sizeis 2 pixels. Uncheck Global Light, make the Angle minus 40 degrees and keep the Angle:30 degrees. Make the Highlight Mode: Linear Dodge and the Opacity: 30%. Make the Shadow'sopacity: 0. Click Drop Shadow. Change the Blend Mode to Linear Burn and its Opacity:40%. Make sure "Global Light" is checked and make the Angle: 135 degrees. Make the Distance:3 pixels and the Size: 5 pixels. Then, click OK. Make the paper texture active, changeits Blend Mode to Multiply and reduce its opacity to 85%. Make the Base layer activeand double-click an empty area of the layer to open its Layer Style window. Click Bevel& Emboss. Make the Size: 3 pixels and the Highlight opacity: 50%. Change the Shadow'sblend mode to Linear Burn and its opacity to 50%, as well. Click Inner Glow. Click the colorbox and pick Black. Then, click OK. Change the Blend Mode to Color Burn and its Opacityto 60%. Make the Noise: 20% and the Size: 68 pixels. Then, click OK. Next, we'll add the photo. To save space in the Layers panel, click the small, black triangles next to the"fx" icons to collapse the effects. The effects are still there; they're just hidden fromview. Make the Cartouche layer active. Above this layer, we'll place our photo. First,open your Rectangular Marquee Tool and drag a rectangular selection centered between theborders. Open a photo you'd like to place into your Wanted poster. I downloaded thisone from Shutterstock.com. To get it into your Wanted poster, press "v" to open yourMove Tool and drag it up onto the tab of the poster. Without releasing your computer mouseor pen, drag it down onto the image and release.Click the Layer Mask icon to make a layer mask of the selection next to your photo.Think of the layer mask as a stencil. Thewhite area reveals the image, while the black masks it out. To reposition and resize yourphoto, click off the chain link between the photo and the layer mask. Now, we can repositionor resize either the photo or the layer mask independently of each other. Since we wantto reposition the photo, make the photo active. Drag it to a position you like. If you wantto resize it, press Ctrl or Cmd + T to open your Transform Tool. Go to a corner and whenyou see a diagonal, double-arrow, press and hold Alt or Option + Shift as you drag itin or out. Position the face, then press Enteror Return. Next, we'll colorize it, add grain and adjust its brightness and contrast.. Double-click the thumbnail of your photo to open its LayerStyle window. Click Color Overlay and the color box. Type in D7BF96. Then, click OK.Change the Blend Mode to Color and click OK.Go to Filter and Filter Gallery. Open the Texture folder and click Grain. Make the Grain Type: "Enlarged". I'm using 25 for the Intensityand 50 for the Contrast, however, depending on the characteristics of your photo, youmay want to adjust theses amounts until your photo looks similar to this. Then, click OK.If there are areas of your photo that are brighter than the paper, we need to darkenthem. Click the Adjustment Layer icon and click Levels. Click the Clipping Mask iconto clip or restrict the Levels adjustment layer to effect just the one layer beneathit in the Layers panel. For this photo, I'll brighten the Input Midtones to 1.48.Keep in mind, for your photo, you may want to use different amounts to get the combination ofbrightness and contrast that looks good to you. I'll darken the Output highlights untilthe brightest areas of the photo match the brightness of the paper. To make the blackareas a bit less dense, I'll drag the Output Shadows a bit to the right. To consolidate more space in the Layers panel, group the face and its adjustment layer into a folder.To do this, Shift-click on the thumbnail of the face to highlight both layers. Then, pressCtrl or Cmd + G. Let's name it "Face". Group the paper texture and the base into a folderusing the same steps and name it "Paper". Make the Face folder active to place our textabove it. Open your Horizontal Type Tool and go to Window and Character. The Characterpanel will open. For the word "Wanted", I'll use "Regulators Condensed". If you want touse the same fonts as I'm using, open it and click on the font. Make the size: 70 pointsand make sure its Horizontal & Vertical Scales are 100%. Click on your document and type"Wanted". To reposition it, open your Move Tool and move it. Click below the word and for next text, choose "The Dead Saloon Regular". For the Vertical Scale, type in 48 to squeezethe text vertically and type the word "DEAD". Press the Space bar three times and type theword, "ALIVE". We pressed the Space bar to make room between the two words for the word"OR". To resize it, click the Move Tool and open your Transform Tool. Go to a corner,press and hold Alt or Option + Shift and drag it in until it's approximately the same widthas the word, "Wanted". Then, center it and press Enter or Return. Press "T" to open yourType Tool and click below the cartouche. Type the word, "OR". Click the Move Tool and open your Transform Tool. Go to the middle, right side of your Transform and press andhold Ctrl + Alt + Shift on Windows or Cmd + Option + Shift on a Mac as you drag theTransform up to skew it from its center anchor point. Then, reduce its size and positionit to fit comfortably between the words, "Dead" and "Alive". Open your Type Tool and clickbelow the cartouche. In this area, we'll type in a name. For this example, I'll make theVertical Scale: 100%, the Horizontal Scale: 170 and the Size: 21 points. For your name,play with these amounts to fit your text comfortably. Press Enter or Return and type out your text.Open your Move Tool to center it. Open your Type Tool and click below your photo. In thisarea, we'll type in the reward. For the font, I'll use "Saddlebag Regular". I'll make itsSize: 46 points and its Horizontal Scale: 44%. Press Enter or Return and type out yourtext. As before, open your Move Tool to center it. Let's group all the text into its own folder using the same steps as you used earlier.Let's name the folder, "Text".Reduce the opacity to 90%. Now, all the text that's inside the folder has an opacity of 90%.We can close the Character panel, now. Next, we'll add scratches to the poster. First, let's groupthe text, face, cartouche and borders into one folder, since these are the elements thatwe'll be adding scratches to. Use the same steps as you used earlier. Click the Layer Mask icon to make a layer mask next to the folder. We'll be adding scratches to the layermask, which will reveal the background through the scratches. Open your Brush Tool and openyour brush thumbnails. Click the gear icon to open your list of Brush Presets. I included"Marks and scratches" for you to download into your Brush Preset folder. If your notsure how to install brushes into Photoshop, watch my tutorial showing how to do this.When you see this window, click OK to replace the current set of brushes with Marks andScratches. To make the thumbnails appear bigger, click the gear icon and click, "Large Thumbnail".You can try the various scratches, however, I'll click the first one and make its size1700 pixels. Move your brush over your poster and left-click on your mouse or pen. If youdon't like the position of the scratches, undo it by pressing Ctrl or Cmd + Z. Onceyou've added your scratches, click the Move Tool to make your cursor easier to see.Click off the eyeball of the background to temporarily hide the layer. We'll make a composite snapshotof just your poster by pressing Ctrl + Shift + Alt + E on Windows or Cmd + Shift + Option + E on a Mac. Since we have the composite snapshot, we can hide its source layers. Next,we'll add a drop shadow to the poster. Double-click on an empty area of the poster layer to openits Layer Style window. Click Drop Shadow. Change the Blend Mode to Linear Burn and makethe Opacity: 25%. Make the Distance: 8 pixels and the Size: 10 pixels. Then, click OK.Make the Background visible and open your Transform Tool. Click the "Warp" icon. This divides your Transform into sections that can be manipulated to warp the shape under it. Place your cursor on the middle of the top line and drag it in a little. Repeat this on the middle of the right side,the middle of the left side and middle of the bottom line. Then, press Enter or Return. This is Marty from Blue Lightning TV. Thanks for watching!
If you want this background check the link in the descriptionLets make the background to a layer.Now lets make a new layer.Now grab the rectangle tool.Select the shape you want to use.Click and hold to customize the shape.Find a good spot to put your previous video.Now , duplicate the shape by click CTRL+J on windows and Command+J on a mac.Now make a new layer , then grab the text tool.Type in whatever you want but make sure its gonna be short and easy to read.Once you done , right click on the text layer and click on Blending options.Customize it by yourself or you can see what I'm doing here.Now duplicate the text layer or add more texts and even icons such as Facebook icon or Twitter icon.
Funny & Sexy Girls Fail Compilation - The Ultimate Sexy and Funny Girls FAIL 2015Funny & Sexy Girls Fail Compilation - The Ultimate Sexy and Funny Girls FAIL 2015
Hello and welcome to our video series on the Gimp. Now in this video, I'm gonna introduceyou to the Align Tool, another one of the Transform Tools we're working with. Basically,just click on this icon. It brings up our options down here on the bottom or a quickshortcut would be just pressing on the letter Q, as in Queen, on your keyboard and thatwill get you here as well. Now, frankly I've never used this Align Tool because it basicallyjust moves object within your image to other parts of your image. I just use the Move Toolso I may sound a little bit rusty in all things alignments and that's basically why. Justa quick introduction here. One thing that we can do is.. Let's make a selection hereusing our Rectangle Tool because we want to align everything somewhere within all thesebox here, what we just selected. Now we go back over here to our Alignment Tool and onour drop-down box, we wanna make this relative to the Selection. Let's go with the yellowbox up here, click on that, and you can see these four dots in all four corners here.And then, come down here and, depending on where you want to align it to, let's say wewant to align it to the corner here, you just click on the "Left Edge of Target". And therewe've moved it to the left edge, straight across. Now, if we want to move it to thetop of what we've selected, click on this and it moves it to the left edge top. Andof course you move to the far right edge, and so on. Now in this box here, we can dothe same thing. Again, this is our selection here, the big box. Click on the blue box hereand now this has the four dots. And again, we can move it over to the far left and wewanna go to the bottom. Now again, myself call me crazy but I will just use the MoveTool and do the same exact thing. So I'm sure that there's reasons behind the use of theAlign Tool. I just haven't figured it out myself but that's a quick introduction tothe Alignment Tool. Hope you learned something. Hope you are able to apply this at some futureendeavor of yours using the Gimp. Thank you very much for watching and have a great day!
