We're improving our products!

Help us improve! Dear Bitcasa CloudFS Developer, As the Product Management team at Bitcasa, we are deeply committed to improving our products. We are baselining our products via an NPS score and we need your help to do so! We appreciate your time and this survey should not take more than a minute. Click the link below to get started. Start Survey What is NPS? Net Promotor Score (NPS) is a simple gauge (1-10) for Bitcasa's Product Managers to assess customer satisfaction of our products. You can learn more here if you're interested. Why is Bitcasa doing this? To baseline where we are and because we care about our customers and genuinely want to improve our services. What do I need to do? Click on this link to report your score. That's it! - Bitcasa Product Managers       © 2014 Bitcasa. All Rights Reserved. You are receiving this email as a result of having signed up for a Bitcasa account. Privacy Policy

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A Leaked Unaltered Photo of Cindy Crawford Stuns the Web

Cindy Crawford's unretouched image causes a stirCindy Crawford's body is making headlines - but not for the usual reasons. On Friday,an un-retouched image of the supermodel that leaked from a Marie Claire photoshoot causedsome serious hubbub as it began circulating around the Internet.The Photoshop-free snap shows Crawford wearing black lingerie and has been re-posted andre-blogged everywhere. Fans have been giving kudos to both Marie Claire and Crawford fortheir bravery at showing a beautiful woman embracing her flaws.Originally the photo was posted on Twitter and was said to be for an upcoming issue ofMarie Claire magazine that was featuring non-Photoshopped images. But it turns out the picture is actuallythe un-retouched version of the December 2013 cover story from Marie Claire Mexico and LatinAmerica. Marie Claire confirmed the image was a leaked photo.But it is possible Crawford will take the leak in stride. Just last week, the 48-year-oldtalked about aging gracefully to Marie Claire. At the premiere of her documentary Hospitalin the Sky, the mother of two said: "I really think - at any age - it's learning to be comfortablein your own skin. If women would treat themselves with the same kind of love they give to theirfriends, that would be such a great gift we could give ourselves. What makes you the mostattractive is self-confidence. That's what people see."

Cómo quitar espinillas en Photoshop

Download PhotoShop CS6 For Free Full version [Download]

Download Link at Description !!

IT286 Class: Typographic Portrait in Photoshop

Choose any image you want and convert it into Layer and add another layer for the textErase(E) The background of the the image to emphasize the portraitClick the layer of the image and on the the menu bar click Select then Color RangeSelect MidtoneAt the bottom right toolbar click the second to the last button This adds another layerPress alt + del to transfer the selected image to the new layerRename the layer to 'Midtone' to avoid confusionRepeat the process for 'Shadows' 9 0:01:10.200 --> 0:01:11.600 Choose the text(ex. poems, stories, lyrics, etc.) you wantClick the T button on the left side toolbar and create a box the exact size of the imagePaste the text You can edit the typface, font/size according to your likingCtrl + J the text layer to have another copy of the text layer to save timeRename the text layers to avoid confusionNow copy(ctrl+c) the midtone layer Click the shadow text layer and on the bottom right bar, click the third button(Japan-like)Alt + click the mask layer and ctrl + v (paste) itInvert(ctrl + i) then click the eye of the shadow text layer to see the magicRepeat the process for the ShadowAnother method would be warping the textCreate another layer and type in a wordOn the menu bar click Type then rasterize type layer Then on Edit, Transform then WarpWarp the text to match the target shape(ex. the eye)Just repeat the process for the remaning shapes

Download PhotoShop CS6 For Free Full version [Download]

Download Link at Description

Save With A Transparent Background (Photoshop CC Tutorial)

In this video we'll take a look at how to save your artwork with a transparent background using Photoshop CC. so ideally it's best to create your artwork on layers and create those layers above the background layer. the background layer is typically the bottom-most layer in most compositionsand usually that's filled with a white color like you see herenow if you hide that white color you'll see this checkerboard patternthis checkerboard pattern represents transparency. anywhere you see these checkers, is fully transparentif we were to print this image, nothing would be printed in this checkered areaonly here in the center where there's pixelsif I were to turn this background back on and we were to print this, it would print with a white backgroundso it's very important turn that off. now what do you do if your artwork is already on a white background?well there's a couple things you can do. one is you can double-click next to a layerthat will bring up this menu here. and with this first slider down at the bottom, you can reduce the white triangle. now this will subtractany white that's in your piece. you can see here on the highlight of the apple, it's eating away at thatso this is perhaps not the best way to remove the background from this imageyou can also add a mask to remove the background I could select the Magic Wand Tool and select the background. click on the mask icon in the layers palette and then click on invert in the propertiesand you can see that does a pretty good job of removing the background.if we want, we can add a layer for the background and we can fill that with a grey color and that way we'll be able to see how good of a job we did on this mask. I think we need to refine the mask a little bit more. so I will click within the mask iconand choose "mask edge"and then I'll shift the mask edge a littleand turn on smart radius. and maybe smooth it just a little bitand that does a pretty good job of masking out the background. click on OKand now if I go ahead and turn off the background, you can see that the background is masked awaynow how do we save this and keep the background transparent?there are a couple of different ways we can do this. the first is, we can go to FileSave For Web and we can choose the preset of PNG 24this will give you a pretty good quality save for the web. make sure that transparency is checkedand then click save. the other way to do this is to go to File, Save As. some of these formats support transparency and some do notPhotoshop PSD, Photoshop PDF, PNG and TIFF are file formats that work really well for saving transparencythe JPEG format does not save image transparency. so don't select JPEG if you're trying to save a transparent background.let's go ahead and choose the TIFF file format and click saveand we'll get some more options here. go ahead and check LZW for image compression. that'll make the file size smallermake sure that save transparency is checked and then under layer compression choose to discard layers and save a copy if you don't need your layers typically, this is the best option for TIFF because saving a TIFF with layers makes the file size really largego ahead and click OK and that will save your file without a background if you found this information helpful, take a quick second to like this video and share it with your friends.and don't forget to click the subscribe button to get updates when I release new videos. I'll see you next Thursday for another Photoshop tutorial

How to Change the background of any picture using Adobe Photoshop CS 6 (Tutorial)

Blend and Retouch Soft Light Tutorial Photoshop || bacgroud white black effect

Profesional Editing Phoposhop

Photoshop: Create Dawn on a Planetary Horizon in Deep Space

Hi. This is Marty from Blue Lightning TV. I'm going to show you how to create this cloud-covered,planet illuminated at its horizon from a bright star in deep space. Create a new document by going to File and New. Make the Width: 1550 pixels, the Height: 870 pixels and the Resolution: 150 pixels per inch. The color mode is RGB and 8 bits per channel. We'll fill it with black. First, make sure your foreground and background colors are blackand white respectively. If they aren't, press "D" on your keyboard. Since black is the foregroundcolor, press Alt or Option + Delete. This will be the document that we'll use to completeour deep space scene. We'll make another document to create the texture for our planet. Thistime, press Ctrl or Cmd + N. Make the Width and the Height: 5000 pixels each. Go to Filter, Render and Clouds. Go back to Filter, Render and "Difference Clouds". To create a more complex texture, repeat the this filter by pressing Ctrl or Cmd + F five or six times.Go to Filter, Distort and Spherize. Make the Amount: 100% and click OK. Repeat the filter one more time to spherize it more. To cut the sphere out from its background, open your Elliptical Marquee Tool and place your cursor on the upper, left corner. Press and holdShift as you drag a circular selection to the lower, right corner. We're going to makethe selection a little smaller to ensure it's not including any of the background. To dothis, go to Select and Transform Selection.Click the chain-link to lock the Width and the Height together. Whatever we type into either one will be repeated in the other.Go to the Width or the Height and type in 98%. Notice, now, they're both 98%. To accept it, press Enter or Return or click the checkmark.Press Ctrl or Cmd + J to cut and copy it to its own layer. To get your planet into the other document, press "v" to open your MoveTool and drag it onto the tab of the other document. Without releasing your mouse or pen,drag it down on the black background and release. Drag it to a position, so yousee the top and side of the planet. Let's brighten it by pressing Ctrl or Cmd + Shift + L to invoke "Auto Tone". Press Ctrl or Cmd on the thumbnail of your planet to make aselection of its shape. We'll contract and feather the selection by going to Select,Modify and Contract. Contract it 3 pixels and click OK. Go back to Select, Modify and Feather. Feather it 3 pixels. Click the Layer mask icon to make a a layer mask of the selection next to the planet. Now, our planet has a slightly soft edge that will blend well intothe light from the star that we'll be adding later. Click the planet to make it active and change its Blend Mode to "Screen".Make a copy of it by pressing Ctrl or Cmd + J.Make the middle layer active. Change its blend mode to "Normal". Click the foreground color to open the Color Picker. In its hexadecimal field, type in: 004EFF. Then, click OK or press Enter or Return. Now, our foreground color is the color we just typed in. We're going to fill the middle layer with the foreground color. To do this, press Alt or Option + Delete.The reason we an see the texture of the planet is because we changed the planet's blend modeto "Screen". Next, we'll add a blue aura around the edge of our planet. Click on the chain-link between the blue color and its layer mask to unlock it. Doing this allow us to move or resize the layer or the layer mask independently of each other. Click the layer mask to make it active. Zoom out of your document by pressing Ctrl or Cmd and the "minus" key on your keyboard.Open your Transform Tool by pressing Ctrl or Cmd + T. Go to the top, left corner andwhen you see a diagonal, double-arrow, press and hold Shift as you drag out the Transformapproximately this much. We want to bring in the corners closer to the planet. To dothis, click the Warp icon. This allows us to warp the Transform by dragging individualpoints and lines. Go to the top, right corner and drag it to the edge of the planet. Dothe same to the lower, left corner. Then, click the checkmark or press Enter or Return.Go to Filter, Blur and Gaussian Blur. Blur it 20 pixels and click OK or press Enter or Return.To fit it back onto your canvas, press Ctrl or Cmd + 0. Next, we'll add a subtleglow at the edge. Click the New Layer icon to make a new layer. Change the blend modeto "Overlay". Invert the foreground and background colors by clicking this icon. Open your Brush Tool and open your Brush Picker. Make the Size: 800 pixels, the Hardness: 0% and theOpacity & Flow: 100%. Hover your cursor directly over the edge and left-click once. Make the blue layer active and make a copy of it by pressing Ctrl or Cmd + J. Make the lower, blue layer active and we'll fill it with white, which is the foreground color. Press Alt or Option + Delete. Make the layer mask next to it active and open your Transform Tool. To see the Transform's entire bounding box, press Ctrl or Cmd + 0.Go to the top, left corner and when you see a diagonal, double-arrow, press and hold Shiftas you drag it in approximately this much.Drag it to a position, so you see a bright glow at the widest part. Warp the Transform and, as before, drag the corners to the edge of the planet. Press Enter or Return and fit it back onto your canvas. Next, we'll shroudour planet in shadow with just a section of the horizon illuminated. Make the planet active and make a copy of the layer. Change its blend mode to Normal. Click this icon to revert the foreground and background colors to black and white, respectively. Fill the top layer with black and make the layer mask next to it, active. Make your brush larger by pressing the right bracket key on your keyboard.Press it three times. Hover your cursor over the edge and left-click once. Next, we'll add stars behind the planet. Scroll to the bottom of the Layers panel and make the background active. Go to Filter, Noise and Add Noise.Make the Amount: 30%, Gaussian and Monochromatic. Then, click OK or press Enter or Return.Go back to Filter, Blur and Gaussian Blur. Blur it point 5 pixels and click OK or press Enter or Return. Open Levels by pressing Ctrl or Cmd + L. In the Input black field, I'll type in: 70 and in the Input white field, I'll type in: 160. Feel free to experiment with these amounts to get just the right combination of brightness and quantity. Next, we'll adda bright star at the planet's horizon. Scroll to the top of your Layers panel and make the top layer active. Make a composite snapshot of your image by pressing Ctrl + Shift + Alt + E on Windows or Cmd + Shift + Option + E on a Mac.Go to Filter, Render and Lens Flare.Make the Brightness: 100% and the Lens Type: 35mm Prime. Drag the lens flare to a positionright on the edge of the planet, centered over the brightest part of the glow. If it'snot positioned exactly where you want it, undo the last step by pressing Ctrl or Cmd + Z and reposition it until it's correct.Let's mask out this large, circular lens flareand replace it with a prism emanating from the star. To mask out this part of the lensflare, click the Layer Mask icon to make a layer mask next to the composite snapshot.Make your brush smaller by pressing the left bracket key a few times. Brush over the areato mask it out and be careful not to brush over the main part of the lens flare. Lastly, we'll add the prism effect. Click the New Layer icon to make a new layer. Open your Gradient Tool and open your Gradient Picker.Click the gear icon to open your list of gradient presets.Click "Special Effects". When you see this window, click OK to replace the currentgradients with the gradients form Special Effects. Click this gradient, which is called "Russell's Rainbow". Click the "Angle" gradient.Place your cursor at the upper, left of the red ring of the lens flare and press and hold Shiftas you drag a vertical line to the bottom of your document. Change the blend mode to "Screen" and reduce its opacity to 30%. Next, we'll mask out the part of the prism that extends above the white star, as well as, make the bottom of the prism a bit more transparent.Click the Layer Mask icon to make a layer mask next to the prism. Press "B" to open your Brush Tool and make its opacity 100%.Brush over the prism above the white star to mask it out. Before we brush over the prism on the bottom, zoom out of your document.Reduce your brush's opacity to 50% and make your brush bigger. Brush once across the bottom of your prism and fit your document back on your canvas. This is Marty from Blue Lightning TV. Thanks for watching!

Come comprimere le immagini fino al 99% del peso originale

Photosopta istenmeyen nesneleri kaldırmak

How To Do Red Eye Removal in Photoshop Include Quick Pet Eye Fix [Tutorial 04]

Todays tutorial red eye and pet eye removal in photoshophi welcome to photoshop desire channel. my name is eshwar.today i show u how to remove red eye as well as pet eye in photoshopIt occurs when using a photographic flash very closeto the camera lens in ambient low light. The effect appears in the eyesof humans, and of animalsin this tutorial i will show how can we do it in photoshop aswell as camera raw filterfirst i do it in photoshopps has hidden red eye tool in spot healting brush panelright click and select red eye toolby default pupil size is 50% and darken amount 50%u may test with the adjustment i will keep it as it is nownow with mouse hold left button and drag on eyes.ps automatically fix red eye and do it for remaining eyessee how simple it isnow i will show u in camera raw filterfirst convert image to smart object because smart objectis undestructable and we may make necessary changes oradjustment later alsogoto filter and select Camera Raw Filterat the right top menu icons select red eye tool(keyboard shortcut E)same like ps there is pupli sie and darken amountnow with mouse hold left button and drag on eyes.ok i will uncheck the overlaywhat is advantage of this doing in CRF is we can make adjustment of size and darknesswith slider easilyi will show u another sample with pets because unlike humans pets has different eyepupils depands on liquid contains on their eyesthis dog has yellow pupil.convert to smart object and open it in CRFselect red eye toolin the right panel type choose pet eyein this we have only pupil size and add catch light availablenow with mouse hold left button and drag on eyes.but i want to increase the size of pupil and adjusting the sliderand dog eyes are fixedlike dog i wanna fix this mouse eyes tooopen image in CRFselect red eye and then pet eyenow with mouse hold left button and drag on eyes.i'm slightly increasing pupil size and now image is fixedbefore and afternow u got idea how to remove red eye in humans as well as petsand apply this technique to ur photos to fix it.thanks for watching and pls subscribe for more tutorials

A Story Told [SFM]

(Court métrage) L'obstiné

New site launch + ChallengePost app contest announced

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Bitcasa Newsletter - February Edition It was a busy month at Bitcasa in January, highlighted by the launch of our new site, an award for 'Best Cloud Infrastructure' in the annual Cloud Awards, and great coverage in ProgrammableWeb, Wired, and App Developer Magazine. We are kicking February off with a ChallengePost contest featuring the chance to win $1,000 for the best app built using CloudFS between now and March 24th. All completed submissions will be featured in the Bitcasa App Showcase and promoted in our April newsletter. Sign up for the challenge DeveloperWeek 2015 For those of you in the San Francisco Bay Area, Bitcasa is sponsoring the DeveloperWeek Hackathon this weekend, with VP of Product Luke Behnke speaking at the event on Tuesday at 3:30pm. Want to meet the team and talk more about CloudFS? Email us. Cloud Chronicles Be sure to check out the Cloud Chronicles, our new weekly blog post that keeps you up to date with Bitcasa and other important news and events from around the industry. Read Cloud Chronicles   Helpful Resources: Quick links to important developer resources: Bitcasa Blog Getting Started with CloudFS CloudFS Developers Google Group Bitcasa on Github CloudFS Documentation & SDKs   Cheers, The Bitcasa Team       © 2014 Bitcasa. All Rights Reserved. Privacy Policy

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Photoshop: Make a Multi-Directional, Optical Illusion, Photo Portrait

Hi. This is Marty from Blue Lightning TV. I'm going to show you how to create a surreal,trippy, multi-directional portrait from a face photographed in profile and the sameface photographed facing forward. For illustration purposes, I provided this face facing forwardand in profile, so you can follow along. Because they're not for redistribution, I embeddedwatermarks on them, but you can apply the techniques that I'll be showing you to yourown photos. The first step is to make a selection around your subject, so we can isolate theface from the background. There are many to make selections, but for this example, I'lluse the Quick Selection Tool. I'll use a size of 9 pixels and drag over the subject untilher face is completely selected. At the top, click the Refine Edge button or you can go to Select and Refine Edge. I did an in-depth tutorial on Refine Edge, so to save time,I won't be going over all the details here.Check "Smart Radius" and increase the Radius a little. Brush over the hair and output it as a New Layer with Layer Mask. Then, click OK. Notice, in the Layers panel, you now have a new layer with a layer mask of the selectionnext to it. Open the file of the subject facing forward. Make a selection around the subject,refine its edge and brush over the hair. This time, save it as a "New Layer". Make the bottom layer visible and active. We'll fill it with white. First, make sure your foreground andbackground colors are black and white, respectively. If they aren't press "D" on your keyboard.Since the background color is white, press Ctrl or Cmd + Delete. Open back up your subject's profile. We need to place it into the "face forward" document. Press "v" toopen your Move Tool and drag the image onto the profile's tab. Without releasing yourmouse or pen, press and hold Shift as you drag it down on the image and release. PressingShift kept this document centered. Drag the top layer below the middle layer and dragthe layer mask next to the middle layer. Temporarily hide the top layer by clicking off the eyeball next to it. Click off the chain link between the middle layer and the layer mask. Thiswill allow us to move and resize the layer and/or the layer mask independently of eachother. Click the layer to make it active. To resize and position the face, so the lipsare synced up with the lips of the profile, open your Transform Tool by pressing Ctrlor Cmd + T. First, go inside the Transform and drag your image, so the lips are alignedwith the lips on the profile. To enlarge the face, go to a corner and when you see a diagonal,double-arrow, press and hold Shift as you drag the corner out. When the face is sizedand aligned to its profile counterpart, press Enter or Return. Next, we'll replace the face forward nose with nose from the profile. If you look at it long enough, this creates amind-bending, optical illusion that melds two different perspectives of the same face. Make the profile visible and active. Click the Layer mask icon to make a layer mask next to the profile.Invert the layer mask by pressing Ctrl or Cmd + I.Invert your foreground and background colors by pressing "x" on your keyboard. Open your Brush Tool and open your Brush picker.I'll make the size of 90 pixels. The Hardness is 0% and the Opacity and Flow are both 100%.Brush over the area to reveal the profile nose. To mask out areas, press "x" to place black on your brush and before you start brushing again, make your brush smaller by pressingthe left bracket key on your keyboard. This is Marty from Blue Lightning TV. Thanks for watching!

Tutorial Photoshop Membuat Efek Metal

Photoshop Tutorial Create Metal EffectDownload the project file in the descriptionCreate a new documentClick OKDrag the backround to the photoshopAdjust the size and press ENTERAdd text with -Horizontal Type tool(t)- Press CTRL+A and set the text to the centerAdjust the size (CTRL+T) and then press CTRL+ EnterAdd another texture and then change the size,Right click and select "Flip horizontal"Press ALT and click between text layer and the layer above it Click "Fx" and select "Bevel & Emboss"Adjust the setting like this !Adjust the ShadingAdjust the Inner ShadowAdjust "Gradient Overlay"Adjust "Drop Shadow"Click OKSetting the "Level" of this layerAdjust "Brightness/Contrast"Click create new layerAdd the blue shine imageSet the blending mode to "Lighten" Set the Blending Mode to "Lighten"Click in the description to download the project file

How to create a 3D gif

Photoshop Color changes for Digital Fabric Printing

photoshop

Easiest Way to Learn Photoshop Elements

I need to know the easiest way to learn Photoshop Elements.Stand outside a Maya 3D class and say Photoshop rocks. Collect all the books they throw atyou and run, hoping some of them are Photoshop.Most of them would be user guides to other graphic software applications.So stand outside a Blender class, offering to take and burn their Photoshop books forfree.If I wanted to learn from books, I could go to the library. But I learn better by doing,especially such complicated processes as creating graphics.Try a meet up of Photoshop Elements users and listen to their presentations.That would be about as boring as the genealogy meeting I went to once.So try the Adobe.com Photoshop Elements getting started tutorials.I'd hope they have decent material, given how much the software costs.It starts with how to install the software, how to import files you made in prior versionsor other applications -In short, getting set up to use it.It then moves on to editing and compositing, the actual use of the software.It is good that they have the how to set it up tutorials first. Otherwise it is like thedata management software lecture where you know how to create a change notice but donot know how to log in and fill out your time card.If you do not want to read a lot of help screens, TV.adobe.com has video tutorials on how touse the product.Half of it being ads for the other Adobe products.It cannot be worse than the Adobe Photoshop Elements demos on Youtube that advertise theartist's work screaming hire me to make your book cover or multimedia website intro.Is the Adobe TV tutorial simple enough that I can understand it? Too much tech supportis written for other system admins, ignoring beginners like me.Not only do they have simple demos like how to print or apply tonal corrections, but theyshow you how to do some things like setting up mobile albums in both the Photoshop Elementsand Premier Elements.That's nice, since many classes do not tell you they are dealing with the Premier versionuntil after you paid a premium price to sign up.You could go to Skillfeed.com and review their free lessons on using various tools in PhotoshopElements. Each class won't be an in depth for dummies presentation, but you won'tfeel stupid as they run through how to use the clone stamp.And I'll get more out of it than struggling to step through the steps in the PhotoshopElements for not so bright people.